https://www.google.com/search?q=
filetype:pdf+%22stefan+HELMREICH%22+SYLLABUS
filetype:PDF+%22stefan+helmreich%22+%22UNDERWATER+MUSIC%22
http://www.sensorystudies.org/timeline/
a quick modification, for fun, of the 'clacker/squirter'
made a close-to-real-time 10xSlow audio reflector,
and was not expecting to hear it sounded underwater-y.
speed of sound/ so why a factor of 10? (yet to investigate range)
puppy's jingling collar comes back out the easiest to recognize.
questions about animal's hearing
[center frequency proportional to distance between ears]
(!bat-headphones, magazine)
JCLilly dolphin machine
close and far in the overlapping of sensory ranges, biochemistries, further on.
nice to lengthen list, incrementally
filetype:pdf+%22stefan+HELMREICH%22+SYLLABUS
filetype:PDF+%22stefan+helmreich%22+%22UNDERWATER+MUSIC%22
http://www.sensorystudies.org/timeline/
a quick modification, for fun, of the 'clacker/squirter'
made a close-to-real-time 10xSlow audio reflector,
and was not expecting to hear it sounded underwater-y.
speed of sound/ so why a factor of 10? (yet to investigate range)
puppy's jingling collar comes back out the easiest to recognize.
questions about animal's hearing
[center frequency proportional to distance between ears]
(!bat-headphones, magazine)
JCLilly dolphin machine
close and far in the overlapping of sensory ranges, biochemistries, further on.
nice to lengthen list, incrementally
having hit, finally and too late, on 'symbolic' as the word I needed when talking to a few classes about the words 'analog' and 'digital', thought of my favorite volume of Knuth, Seminumerical Algorithms, next to other lucky books on computation. so literal when thinking of desert-island books, as when I play imagine my bed is adrift at sea. SA I wouldn't stop to use a machine, maybe writing to derive some expression, but not moving away farther as part of reading it, like I would in say Introduction to the Coriolis Force, or Microcomputer Quantum Mechanics. or more, would think I ought to. the image of how to use differs. in ICF and MQM the machine is next to the book in one hand, looking back and forth, not just to transcribe long programs. or if not quite, there's Knuth in both hands, and carried for reading, and lying down too. he's got a computer existing only (or in the future: most) in his book.
the useful thing for me was to arrange books by this quality, some have more or less, and to think I'd like to be towards a side, or place (a bit above,)(because it makes more than a line) with writing
a strip?width, hairline with/or-w/o graduations. could graduations disappear and give width (and be that way equivalent?). [a fog of red-brown color of tea cup is here in width-talk], and irregular gradations could give in change a particular kind of width? [red brown cloth book binding I am surprised remember cutting and gluing, folding stapling]
the useful thing for me was to arrange books by this quality, some have more or less, and to think I'd like to be towards a side, or place (a bit above,)(because it makes more than a line) with writing
a strip?width, hairline with/or-w/o graduations. could graduations disappear and give width (and be that way equivalent?). [a fog of red-brown color of tea cup is here in width-talk], and irregular gradations could give in change a particular kind of width? [red brown cloth book binding I am surprised remember cutting and gluing, folding stapling]
thinking about 鹿威し / 添水
and Peter Ablinger piling up sound over a minute, to play back at once in a squirt.
starting to build little devices,
was surprised, in (computer)test, about similarity to HavoheJ,
(I suppose because I tested with random frequency sine waves)
(I suppose because I tested with random frequency sine waves)
and issues of phase statistics.
so, indonesia and japan
[添水(clacker)添加 (N/P-doping)]
[ChicagoMetal-oxideStyle]...
ok why?
sinewaves for test makes the step to HavoheJ,
well, random sinewaves.whatelse is for test? BIST literature
on LFSRs (built-in-self-test), so noise, sines,
signals with ? what? axiomatic properties
a certain way of standing. (when not all the signals are standing)
standing out, image of poles out of a weakly imaged (clear?) mass
music, like havohej class/ which uses same-as-test
random sines, noise
[in writing, this time more than others, CM-oS]
[subtitle file structures/ typesetting poetry, dd]
(Fred Moten, names, Odyssey processing) (textatlas\)
thinking of extracting timing (metricity, cut list. for video.)
(just seen Michael Snow's So Is This),
and note again, a forcing note, to find the poet (a monk?) Armand Schwerner mentions using diacritics.
correctly\, it's as audio, and has to be extracted to symbolic before use
[添水(clacker)添加 (N/P-doping)]
[ChicagoMetal-oxideStyle]...
ok why?
sinewaves for test makes the step to HavoheJ,
well, random sinewaves.whatelse is for test? BIST literature
on LFSRs (built-in-self-test), so noise, sines,
signals with ? what? axiomatic properties
a certain way of standing. (when not all the signals are standing)
standing out, image of poles out of a weakly imaged (clear?) mass
music, like havohej class/ which uses same-as-test
random sines, noise
[in writing, this time more than others, CM-oS]
[subtitle file structures/ typesetting poetry, dd]
(Fred Moten, names, Odyssey processing) (textatlas\)
thinking of extracting timing (metricity, cut list. for video.)
(just seen Michael Snow's So Is This),
and note again, a forcing note, to find the poet (a monk?) Armand Schwerner mentions using diacritics.
correctly\, it's as audio, and has to be extracted to symbolic before use
treeburstGmHonest no/test/explode
december 9th looking in house for misplaced cellphone.
had it in my shirt pocket the day of going w/ stan and will sherwin to his storage space, stolen japan tool box.
'popeye' painting, 1776 hat snakes head in head (remake. in calendar?1 celebrate).
/Kicked in-under, dust ball,cushions, to ignored/
calls and drives, will to hospital, back to stan waited there to make police report, brought him turkey club, wrapped up "half where'd I put it?!",
so calls all over. pocket phone. amanda's mr slim- shirt.
no, even though didn't find it so certain it's not there,
for more uses later but when/where?
out to amanda hanging laundry, remember when you set an alarm,
and then unset it, but I'd set one too, so mine went off,
and you thought it was yours mis-un-set,
right after you'd done what we set the alarm for in the first place?
(CALLED billie pills?)(still had, from foot cut in fruitvale, and remembered the prosody)
(like now prosody of eben writing me in return for the midi help. little txt. SYNONYMY OF GIFTS. our gem categories)
maybe remember, but what night was that, inserted between clauses: you should look in the cloths bench at the bottom of the bed. and I was wanting to look IN the bed too, had seen dirt crumbs and a black clothing down by the tuck before, but mysterious region.. went through the bench stack. specific contents; sweater tries for A.Walsh's birthday party, some worn, pants, scarves folded off the line, biggest jacket I wore the other day w/o any other clothes, getting down down, no phone. Having reviewed, aerated, total bed set/subset/
I'd already looked in the car (found ID in the underradio cupboard, missing things of a time.\subset)
looked in garage, first because of the quick unload form the car (for bringing home end of semester scrim wood), unloaded in bags of piles. looked through and no. starting to look in the concertbox from ceramics. nice feeling to look at, but also a little too fast. pleasure at my own half-ideas: weights/sizes of wrapped in paper things, still differentiated to be known. pocket jingles. related to losing and finding, carried in a box with holes, sieve, well to be contained, limit of how disorganized to be, limit of control uptightness is measure. taking things out and then saying: ah no! one dodecahedron is out from the unzipped ziplock top! looked breifly quick, oh, rewrapped the center the only kiln fired piece in paper, reweighed, replaced re-3-placed, rows, stripes- went out to amanda holding center-wrapped and one zip- to tell her oh. and I almost thought this, when making the cad model of the dodecahedra .standard color yellow, for 2nd object, then recolored white one second, then recorded search gold. looking saying ok, and the one I have here still is the simple one, the other one I was just now getting ready to look at, after the model of the simple one, but I might have lost it, I'll look now more carefully. and went back after say a little more. un pack here and there, and find it in a back fold of the orange laminate sheet! oh ok!! happy more than the phone I said yes truely of course. and then she found the phone little later had gone through the wash in the new red courderoys. finally to look atthe gold also of the sim card back.
/////Bringing in trip, small pocket of Jansport transport,
a demonstrative, or model, mess;
some leaves are here, thank who I go to meeting
and a few things wrapped in their papers, but all of same travel size
a saved holiday caramel, clay bits,
and that saved tiviality: Mothers, enlight, THANK YOU!
a enheartened rhyme!. bevels on the hundred grid cut to a chocolate coin, medallion, parents are olympus
model theirs
album insert invert onCe more
squeezed out of mx
snockonews.net/art_gallery/images/all-hell.jpg an Husbands.jpg
an /thumbs/Husbands.jpg an all-hell.jpg
talking about history vision of companies and record labels,
whose history we make by order and time of releases,
and model numbers, matrix numbers, call numbers, form numbers
And what do I think I am doing
do company
holds, everything else, AND their relations.
so biggest I make this relationships of model numbers
and numbers' meanings by what each is, particular products.
(and, a scansion for text)
SO, how would it be, that here I let slip ,af so long, no posts,
but now suddenly, Michael Hurley inverts?!
mean for that: a reburst -out an investigation series,
sign of friction, stick-slip buds in winter, one-chatt/er
/can yes the stream of numbers can have a suddenly
/diacritic marks, (schwerner talking, say) /JJEFFREY-interviewToD
Over-flow, residue, excitement,
holding the key tightly with both hands up pressures cross and the key flips
recatch it infront again, wonder at my own clutch! and tell to loosen
honest investigator admits interest-position
master
share surprise
"a face made up by what is acceptable,"shows sunbeam!
actually: how else could it be. plum blossoms
//cosmic alienage with time: to self formulation, friends
ATMOSPHERE
sports'car with crackle
postscript drawing of arrows with loops and long sparse averaging-near-zero turn functions, crimp functions, hair drawing, generative,unreal (1:1 scan,size)
explicit construction of the broken states to which we may arrive in ease, making them contiguous with the normal states, border crosser erasing. broken could mean paranormal, introducing patterned sensations yet unmodeled, and when examined irrelevant to our model of the real as already understood reflexivity.
broken relative to a model (Peter Naur's people's tools(')-problems(') unit) escaping in a direction
(dedicated among other things to Naur's appreciation of data enacting tools(')-probblems)
I have presented in that video accidentally a part of what I really would like to say, presented as an actuality living inside confusion what I would like to present durably if in durable form, meaning a durable confusion or destructuring, which when projected or lifted to multiple surfaces(manifolds) mightn't collapse
accidentally, but not an accident to be revealed far in the future, but just now
explicit construction of the broken states to which we may arrive in ease, making them contiguous with the normal states, border crosser erasing. broken could mean paranormal, introducing patterned sensations yet unmodeled, and when examined irrelevant to our model of the real as already understood reflexivity.
broken relative to a model (Peter Naur's people's tools(')-problems(') unit) escaping in a direction
(dedicated among other things to Naur's appreciation of data enacting tools(')-probblems)
I have presented in that video accidentally a part of what I really would like to say, presented as an actuality living inside confusion what I would like to present durably if in durable form, meaning a durable confusion or destructuring, which when projected or lifted to multiple surfaces(manifolds) mightn't collapse
accidentally, but not an accident to be revealed far in the future, but just now
taking books apart, putting in orbit, one field pages
how should things be treated, beyond correctly presevation
that they are combined, let to exist and live together, exchange contact (wind for plants)
what marrs are light and showing a airy travel, which are ugly and pressing clammy piled
mass of material in life, continuity and cohesion of invited substance, strength of attraction, holding and living as pull for these categorizations,
evenness of types, (chinese paper for example, packaging of poisonous food. like ?conceived?grux' evenness of handling political paper. Havel's power of the powerless)
slow unbinding of my books, loose pages
materiality flows curves
making mass electronic equipment separability
and to fix again some mishandling collapse, feeling crystals, [beauty-full orgonite] smells, cooking, smokes humidities fungshui vapors sounds
sunlight bending folding
light shows anything
bouncer-flappers streamers' waver
that they are combined, let to exist and live together, exchange contact (wind for plants)
what marrs are light and showing a airy travel, which are ugly and pressing clammy piled
mass of material in life, continuity and cohesion of invited substance, strength of attraction, holding and living as pull for these categorizations,
evenness of types, (chinese paper for example, packaging of poisonous food. like ?conceived?grux' evenness of handling political paper. Havel's power of the powerless)
slow unbinding of my books, loose pages
materiality flows curves
making mass electronic equipment separability
and to fix again some mishandling collapse, feeling crystals, [beauty-full orgonite] smells, cooking, smokes humidities fungshui vapors sounds
sunlight bending folding
light shows anything
bouncer-flappers streamers' waver
letter to sabiston on physical analogs of christmas' eve 2011
william!! merry christmas eve! just had a brainwave it'd be good to send over some notes right now.
The very latest thought: I remembered an old stereophile story
"I had assumed that he had explained that this would be a different
kind of listening test." the whole thing is a favorite read of mine here! and there's this article with a bit about the situation from a social theoretic standpoint, more to come!----------------------
SO to the brainwave: that'd make a great product I thought, could cost less on the same order as costume. I bet that could get the colors and softness.
===============
goodbye John Stevens. identification, my body (shoulder, rocking, mouth) when I play drums.
Graphic codes in cover art to identify/name quality of processes used in transfer: stuttered BAMBI rubber stamp to mean some particular strobe range.. some indication of how the sound enters the visual:the particular transfer. I can come back to the GIG cover to make it in whatever graphic convention emerges.
a "periodic table of the videos" to do many and see what we are doing.
am especially curious to see how color patterns at this level. searching now for some single atemporal/fascinating idol representation of the total color feeling of a tape.
Electromyographic study of eye movements.
to do "eye tracking" but NOT w/ assumptions about space spatial coordinates/ frames. "space has as many dimensions as I have muscles" [poincare from Science and Hypothesis second book in pile to have next to the scope at least. selection of binding for position. several editions of same, their positions in the stack]
Blindness- zatoichi and the sea (#11- "...and the doomed man")
pan-and-scan comics
scanning posters: grid typography
derive control signals from physical camera movements.
[feedback into] tripod physicality: sustention of branches, knob wands exercise, haptic feedback in metronome.
OEI shapes. spotlights. projecting shadows. geometric projection. implied surfaces. think about ways to specify the second surface electrically. primatives should be complex enough to generate much, or have complicated parts, and simple parts.. pan over to the simple part..I have a partial spatial object/interaction in mind, but find it hard to express here. connected to my thinking about primitives generally in synthesis (audio synthesis) gosh maybe primative is not even the accurate word. I'll work on this! the key word for me here is spotlight. I had at some point an image in mind of a spotlight from above to light what's happening in the video image, and I thought it could happen with the OEI if it had some extra forming of it's scan, and I was thinking about what would be ways to set it up to specify this sort of thing. a normal/traditional synthesis approach would be to break down the total into like geometric object and then allow them to be combined in various ways.. those would be called "primitives". and my feeling is that it's be better to have a spotlight as a single "object" and maybe even go the other way and have the spotlight shape be part of a larger shape.. and have a few of these specialized things that can interact.. this is just one version of a conversation I'm having ALOT with myself!
"
The very latest thought: I remembered an old stereophile story
"I had assumed that he had explained that this would be a different
kind of listening test." the whole thing is a favorite read of mine here! and there's this article with a bit about the situation from a social theoretic standpoint, more to come!----------------------
SO to the brainwave: that'd make a great product I thought, could cost less on the same order as costume. I bet that could get the colors and softness.
===============
goodbye John Stevens. identification, my body (shoulder, rocking, mouth) when I play drums.
Graphic codes in cover art to identify/name quality of processes used in transfer: stuttered BAMBI rubber stamp to mean some particular strobe range.. some indication of how the sound enters the visual:the particular transfer. I can come back to the GIG cover to make it in whatever graphic convention emerges.
a "periodic table of the videos" to do many and see what we are doing.
am especially curious to see how color patterns at this level. searching now for some single atemporal/fascinating idol representation of the total color feeling of a tape.
Electromyographic study of eye movements.
to do "eye tracking" but NOT w/ assumptions about space spatial coordinates/ frames. "space has as many dimensions as I have muscles" [poincare from Science and Hypothesis second book in pile to have next to the scope at least. selection of binding for position. several editions of same, their positions in the stack]
Blindness- zatoichi and the sea (#11- "...and the doomed man")
pan-and-scan comics
scanning posters: grid typography
derive control signals from physical camera movements.
[feedback into] tripod physicality: sustention of branches, knob wands exercise, haptic feedback in metronome.
OEI shapes. spotlights. projecting shadows. geometric projection. implied surfaces. think about ways to specify the second surface electrically. primatives should be complex enough to generate much, or have complicated parts, and simple parts.. pan over to the simple part..I have a partial spatial object/interaction in mind, but find it hard to express here. connected to my thinking about primitives generally in synthesis (audio synthesis) gosh maybe primative is not even the accurate word. I'll work on this! the key word for me here is spotlight. I had at some point an image in mind of a spotlight from above to light what's happening in the video image, and I thought it could happen with the OEI if it had some extra forming of it's scan, and I was thinking about what would be ways to set it up to specify this sort of thing. a normal/traditional synthesis approach would be to break down the total into like geometric object and then allow them to be combined in various ways.. those would be called "primitives". and my feeling is that it's be better to have a spotlight as a single "object" and maybe even go the other way and have the spotlight shape be part of a larger shape.. and have a few of these specialized things that can interact.. this is just one version of a conversation I'm having ALOT with myself!
"
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