and by the way my favorite moment was in female Andrea Williams' piece. and I think it might have been a female moment. or at least having female concerns. a particular one which I think my own music may have too (hopefully), and that I think Stockhausen's sometimes does too (like when he uses recordings of voices to make "colored silences". but actually, I now realize I hear that as (very) male still...). the moment in question is maybe better described as originating in female concerns, but leaving them, or relaxing the grasp on them. the time of relaxing the grip
And both females with pieces on the concert have first names that could be male names: Andrea and Laurie. and there was one performer-not-composer: Christina (playing violin. not harp at least. but then, being a performer-not-composer, maybe violin is more characteristic than harp. I'm on attack now) There were female listeners. I wonder if they heard what I did, or if anyone did really. this has got me acting weird asking weird questions
I asked my mom about it, and I said 'it's weird, right?' and she said (among other things) 'yeah, it's not supposed to be like that'.
I think the female feeling has to do with conceptual orientation. concerns..
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