feeling for letters
do you have a language you are illiterate in? so that you know a language, but not how to write or read it. you have words, without any written aspect. I have literacy and almost-illiteracy. with which I can examine a little (resistant to too much) and see word-like preformations in my illiterate language, and find contradictions there, or rather clues that I have some system at odds with the system I know I have, the system I know about. something of sigils talk.
reading Lacan in 3d cutup style: by crossing my eyes. Burroughs says 'now let's see what it really says'
Peter Naur introspection of reading going beyond model of human activity as symbol processing.
these awesome deep house guys (Patrice Scott!!) going beyond model of what house is supposed to mean to deep feelings, permeating the layer of artificiality, which doesn't exist for them, only feelings and music! their titles for example are not of a set that constitute some model, but direct speech
buffer ripples, one long text buffer, with interpreted submanifolds.
gifts to Peter Naur's house
friends of the void dweller
driving in the avenues of life
and from deep then deeper
Reversing Time's Flow
sententiousting
a note on last post:
that chaotic filter sweep negative-pressure mouth sounds are missing the point,
though of course they will be another fork initiated by the electronics technology,
in that the feeling is there one of extreme doing-ness
where we search for less or nondoing, real-non-real
gifts to Peter Naur's house
friends of the void dweller
driving in the avenues of life
and from deep then deeper
Reversing Time's Flow
sententiousting
a note on last post:
that chaotic filter sweep negative-pressure mouth sounds are missing the point,
though of course they will be another fork initiated by the electronics technology,
in that the feeling is there one of extreme doing-ness
where we search for less or nondoing, real-non-real
If Something Big Went Missing
exiles
playing guitar today a high fourth plus a halfstep below, 'rainbow' sound close to the bridge, I was thinking, oh, if I lost synthesizers, if suddenly it was a world where they hadn't existed, maybe I would sometimes be playing like this, trying to find the sounds again. but clarinets are lost to me, mostly. serpents, groupings-- orchestras.. this seems to clarify something about synthesizer. maybe that the playing isn't looking for new things, but looking back to things we forgot we forgot.
if a language was missing, if Singhala was, would I be looking here and there to find similar feelings? where would I even look? [Indonesian hakuru..]
when I wrote before about exiles perhaps unconsciously enjoying foods that have some minor relation to tastes they've lost, I was thinking of my parents
playing guitar today a high fourth plus a halfstep below, 'rainbow' sound close to the bridge, I was thinking, oh, if I lost synthesizers, if suddenly it was a world where they hadn't existed, maybe I would sometimes be playing like this, trying to find the sounds again. but clarinets are lost to me, mostly. serpents, groupings-- orchestras.. this seems to clarify something about synthesizer. maybe that the playing isn't looking for new things, but looking back to things we forgot we forgot.
if a language was missing, if Singhala was, would I be looking here and there to find similar feelings? where would I even look? [Indonesian hakuru..]
when I wrote before about exiles perhaps unconsciously enjoying foods that have some minor relation to tastes they've lost, I was thinking of my parents
Cleaning Times
I start to recognize the assignment of textures replacing conventional notion of cleaning and organizing.
creating textures by organizing self-similarity areas, and also using those textures in organizations.
was I saying some weeks ago that I've now by impulse enough stuff that I can enjoy by recombining. enough material, like a band. (right amount of material) (kinds of paper wappings)
placing some photo clippings around the room to indicate future developments: coffee service below the scope cart, theater riggings to control velvet curtains. evaluation period pictures of airplanes and cars, perhaps to be replaced by scale models. photo albums of clippings towards bedtime books in the making. TV monitor banks used as temporary viewing ports on successions of these useful images.
thinking about tv broadcasts and magazines specifically as sources for this kind of useful thought-imagery, picking out which magazine to read, design of information scanner.
creating textures by organizing self-similarity areas, and also using those textures in organizations.
was I saying some weeks ago that I've now by impulse enough stuff that I can enjoy by recombining. enough material, like a band. (right amount of material) (kinds of paper wappings)
placing some photo clippings around the room to indicate future developments: coffee service below the scope cart, theater riggings to control velvet curtains. evaluation period pictures of airplanes and cars, perhaps to be replaced by scale models. photo albums of clippings towards bedtime books in the making. TV monitor banks used as temporary viewing ports on successions of these useful images.
thinking about tv broadcasts and magazines specifically as sources for this kind of useful thought-imagery, picking out which magazine to read, design of information scanner.
Turrell Saint-Exupéry
Exercise 1
feel free to concentrate as much as I want
(in the passing moment, passing the activity of writing (P. Naur) into the state of writings being the byproduct of 'composing' (H. Brün); Naur again)
[borrowing word only from Tarthang Tulku for older tool of mine: Reversing Perspective Time]
next text editor in ideas of creation (indices, etcetc)(tools to personal punctuation development, example the question mark) phases, publishing
MUSIC
(in the passing moment, passing the activity of writing (P. Naur) into the state of writings being the byproduct of 'composing' (H. Brün); Naur again)
[borrowing word only from Tarthang Tulku for older tool of mine: Reversing Perspective Time]
next text editor in ideas of creation (indices, etcetc)(tools to personal punctuation development, example the question mark) phases, publishing
MUSIC
aterial glassa p.1
visit to toy store in search of object-sounds, kinds of plastics by sound. should have some amount of glass in our life. imagined next door a shop of other kinds of sounds, oiled metal mechanisms in shade, kids still welcome, but aren't kings. sorting by sounds, shop assistants.
(saw bird holding fiberglass weft, called because of it and didn't know how to tell about the tiny crimping waves, shining intermittency. seen in some sections through fiberglass boards. video table)
...
(saw bird holding fiberglass weft, called because of it and didn't know how to tell about the tiny crimping waves, shining intermittency. seen in some sections through fiberglass boards. video table)
...
damping catcher, soft net supported by weight over pulley system reacting to velocity, like a hand absorbing the force of a fall, as when the camera has been set up to resonate and tip itself. never so tight as to bounce
related interest in model suspension for theater curtains
meccano and the amusements (cassette or vhs coming soon)
related interest in model suspension for theater curtains
meccano and the amusements (cassette or vhs coming soon)
Sitting's old, try lying
in solution of chair problem, obviates sitting by zip up molded cushion cover on which to lay and work, which rises to any level easily, a limitlessly extensible mechanism.
Typing while lying, typing on Tippa writing on specialities of some generalizable interest, to non-specialist giving the use-flavor of the field
Roll over on back to ceiling-projected screen. light tubes in solar projection lens project. blasser's controller
design of chairs also, for music and for bench work, eating there
Typing while lying, typing on Tippa writing on specialities of some generalizable interest, to non-specialist giving the use-flavor of the field
Roll over on back to ceiling-projected screen. light tubes in solar projection lens project. blasser's controller
design of chairs also, for music and for bench work, eating there
ANTI MIDDLEMAN KILL
Blistering
The Gods Are Laughing At US - Chronic Disorder
Let's Rab! - The Donnas
Albany Punks (california)
MUDHONEY- Here come's sickness on 1989 alternate studio versions HIV Groupie Hits Pack 33 at 45R; then Eruption! at 33R We Know What I Need with Blasting Kicks!!! FFFFFF!!!
The Dead C= The White House (Paint It Black)
The Gods Are Laughing At US - Chronic Disorder
Let's Rab! - The Donnas
Albany Punks (california)
MUDHONEY- Here come's sickness on 1989 alternate studio versions HIV Groupie Hits Pack 33 at 45R; then Eruption! at 33R We Know What I Need with Blasting Kicks!!! FFFFFF!!!
The Dead C= The White House (Paint It Black)
Smile ID
Fairly usual looking person to be served before me at the local copymat reveals a very unusual smile. The server returns with her passport photos for inspection and she asks 'can I smile more?', and they reply 'no, they want a neutral expression,' But for identification, that smile would really help!
Money Etc Fuck You
stop smiling at you ripoffs
making something new is difficult under present conditions of which you are a part
some more than others
you who reproduce the situation more exactly are more shit
looks almost like the real thing in some lights, but is vomit fuck you
a vomiting piece of shit
your smug face I wish I could punch it in
economic circumstance of reward for thoughtless work,
and punishment for creation
while you are supported in the fantasy of creativity
shit for brains
lift heart
consider likelihood in its vast aspect
making something new is difficult under present conditions of which you are a part
some more than others
you who reproduce the situation more exactly are more shit
looks almost like the real thing in some lights, but is vomit fuck you
a vomiting piece of shit
your smug face I wish I could punch it in
economic circumstance of reward for thoughtless work,
and punishment for creation
while you are supported in the fantasy of creativity
shit for brains
lift heart
consider likelihood in its vast aspect
Ascendency of Teal
LePen, Sweatshirt (teal)
appreciation in others
Admiration of the principal and organization of gamelan
[Richard Feliciano's In Celebration of Golden Rain]
hope for the future
appreciation in others
Admiration of the principal and organization of gamelan
[Richard Feliciano's In Celebration of Golden Rain]
hope for the future
LEGO RUINS
I've written before here about a couple ways of getting excited about things being the same size or fitting together or being commensurate, but there's still to pin down a very significant difference in orientation between them. just now I've buried my recently unearthed lego ruins into a old toy zen rock garden of my mom's. glad they fit in one another, because this allows seeing both, makes them somehow transparent. this version of commensurability relates to the segments about 'how many things can you feel?' and 'sensory combination, Jerry Hunt':
-pressing outside ezra's case and feeling the ascii keyboard keys and the uneven legs and sprung upholstery of the stool below;
-feeling several carpets on top of one another lightly, through paper and sock;
-sounds of cloth-metal, establishment of characters in combination in working on Jerry Hunt's John Dee (how many things can you hear?)
the ruins are of a house I don't remember finishing as a kid, now reduced to the foundations of walls and remains of some built in furniture, like a real excavation site. some things are surprisingly real: a room with a computer and control stick with a heater or speaker (or both in combination among other possibilities) on the floor, and a bed-mat behind opposite in the same room. more of course. maybe want candles ?
-pressing outside ezra's case and feeling the ascii keyboard keys and the uneven legs and sprung upholstery of the stool below;
-feeling several carpets on top of one another lightly, through paper and sock;
-sounds of cloth-metal, establishment of characters in combination in working on Jerry Hunt's John Dee (how many things can you hear?)
the ruins are of a house I don't remember finishing as a kid, now reduced to the foundations of walls and remains of some built in furniture, like a real excavation site. some things are surprisingly real: a room with a computer and control stick with a heater or speaker (or both in combination among other possibilities) on the floor, and a bed-mat behind opposite in the same room. more of course. maybe want candles ?
a local's habit of upending a sparkling water over the pint glass he knows it fits in nicely. I've watched it several times (but when it came time for me to do it I still hesitated in slightly uneven pour)
pouring coffee into milk (vegan databank-- on reading burroughs' bacon correct bending over a fork (before flying out a rubber asshole marked EATS, reminding me of mixing trash before eating it) have considered calibrated hot plate tests to establish methods of perfect prep for bacon, etc. in case of honoring the already butchered. direct analogy to admissibility of data collected by Nazis on human subjects)
overflow- brimming pour- Tirokuḍḍasuttaṃ: 'Na hi ruṇṇaṃ vā,soko vā...' , before saké and masu I've had the habit, and the other day in serving sparkle water to Randall, and Eben who I'd brought to interview him- 2 glasses alike, one narrow and tall, the other short and fat, presented first to Eben to remove his overflowing glass from Randall's. drawing of same in teal felt pen (LePen) with dots for bubbles
pouring coffee into milk (vegan databank-- on reading burroughs' bacon correct bending over a fork (before flying out a rubber asshole marked EATS, reminding me of mixing trash before eating it) have considered calibrated hot plate tests to establish methods of perfect prep for bacon, etc. in case of honoring the already butchered. direct analogy to admissibility of data collected by Nazis on human subjects)
overflow- brimming pour- Tirokuḍḍasuttaṃ: 'Na hi ruṇṇaṃ vā,soko vā...' , before saké and masu I've had the habit, and the other day in serving sparkle water to Randall, and Eben who I'd brought to interview him- 2 glasses alike, one narrow and tall, the other short and fat, presented first to Eben to remove his overflowing glass from Randall's. drawing of same in teal felt pen (LePen) with dots for bubbles
holding on to affected by
dream of relatives deeply criticizing me
sitting cross-legged or so on mattress-bench, dark wood [don's house], back to wall, tv somewhere, or aquarium light, dark 2 floors high space just above me, sloping down, perpendicular hall to left, other doorway beyond talkers. inlaws couple in front, ?sister to left. both exits therefore guarded/ 'manned'.
criticism before art exhibition, to not hurt artists feelings. as part of general criticism.
example of desilu episodes didn't work to help me be different last time.
wake up feeling its true, but no specifics. very bad feeling.
one thought was to bring a broader appeal to the sounds of the metronome.
drop the need for validity
dream of relatives deeply criticizing me
sitting cross-legged or so on mattress-bench, dark wood [don's house], back to wall, tv somewhere, or aquarium light, dark 2 floors high space just above me, sloping down, perpendicular hall to left, other doorway beyond talkers. inlaws couple in front, ?sister to left. both exits therefore guarded/ 'manned'.
criticism before art exhibition, to not hurt artists feelings. as part of general criticism.
example of desilu episodes didn't work to help me be different last time.
wake up feeling its true, but no specifics. very bad feeling.
one thought was to bring a broader appeal to the sounds of the metronome.
drop the need for validity
How Much Vacation
How Much Vacation do you need?
may be clarified as "...to achieve such-and-such"
this question is coming while laying facing back, the question is coming from above and away like slow (half second) exponential attack falling in pitch to target, internal motion, naturalistic sudden stop. these have shapes like long tubes to the flare of trumpet mouths. several notes (more than three), one after the other and passing non conflicting trajectories, well spaced. [relation to concatenated scans in filming an object: Clipson, Ruiz, Kamler. many others. list]
other notes may be 'The Flower of Crime' (like 'In the Solvent of the Moment')
may be clarified as "...to achieve such-and-such"
this question is coming while laying facing back, the question is coming from above and away like slow (half second) exponential attack falling in pitch to target, internal motion, naturalistic sudden stop. these have shapes like long tubes to the flare of trumpet mouths. several notes (more than three), one after the other and passing non conflicting trajectories, well spaced. [relation to concatenated scans in filming an object: Clipson, Ruiz, Kamler. many others. list]
other notes may be 'The Flower of Crime' (like 'In the Solvent of the Moment')
you don't know about Breakfast
well History!
from Titus Burckhardt's Alchemy "hope [. . .] to rescue the spiritual horizon proper to alchemy - the 'royal art' - from the misleading simplifications inevitably attendant upon a purely historical approach. Just as objects in space appear smaller the farther away they are, so whatever is distant in time appears to us reduced and simplified in form - and the greater the spiritual gap between one age and another, the more this is so."
that SST Slovenly has more to do with Black Tambourine than anyone I hear talking about bt now.
what is similar?
changing way of hearing- house music, the difference between what I was attracted to when I started to enter the field, and what I am attracted to now. some mystery of speech about tracks from full term
from Titus Burckhardt's Alchemy "hope [. . .] to rescue the spiritual horizon proper to alchemy - the 'royal art' - from the misleading simplifications inevitably attendant upon a purely historical approach. Just as objects in space appear smaller the farther away they are, so whatever is distant in time appears to us reduced and simplified in form - and the greater the spiritual gap between one age and another, the more this is so."
that SST Slovenly has more to do with Black Tambourine than anyone I hear talking about bt now.
what is similar?
changing way of hearing- house music, the difference between what I was attracted to when I started to enter the field, and what I am attracted to now. some mystery of speech about tracks from full term
another animals
[first seen line of hummingbird and my happiness at copying it with my hand]
lines drawn by butterflies, their special shapes
see also the net diamond shapes they make together, meeting mostly each other, and little showers or tassels from where they have landed their eggs. the different quality of the lines drawn by the particular plants they land on and are familiar with. some harmony or coversion between these shapes which know one another
thinking of how music could stand as a tree does, but (even in memory of music made explicitly thinking of trees) only a partial answer seemed possible: that people could stand as trees and their music as the tree's flower. /the flower of society/ the way the bark separates from itself, giving the texture- thoughts of writing, the trunk or branches
humor of mushrooms in connection to shrubbery. type of impermanence, weakness, invisibility!
[another tracks of The Beatles; my If you ask the animals...; last animals post: "one's own way of doing things"]
lines drawn by butterflies, their special shapes
see also the net diamond shapes they make together, meeting mostly each other, and little showers or tassels from where they have landed their eggs. the different quality of the lines drawn by the particular plants they land on and are familiar with. some harmony or coversion between these shapes which know one another
thinking of how music could stand as a tree does, but (even in memory of music made explicitly thinking of trees) only a partial answer seemed possible: that people could stand as trees and their music as the tree's flower. /the flower of society/ the way the bark separates from itself, giving the texture- thoughts of writing, the trunk or branches
humor of mushrooms in connection to shrubbery. type of impermanence, weakness, invisibility!
[another tracks of The Beatles; my If you ask the animals...; last animals post: "one's own way of doing things"]
peripheral themes to national anthems
A. airline theme songs, airlines considered as national representatives, inwards ambassadors and exemplars. airspace
B. jimi hendrix star spangled banner, subsidiary list of treatments of hendrix: Christian Marclay 'encore', Blowhole..
and C. I knew already: shortwave station signatures
B. jimi hendrix star spangled banner, subsidiary list of treatments of hendrix: Christian Marclay 'encore', Blowhole..
and C. I knew already: shortwave station signatures
Tigertailok 2
in further considerations coming
99 drops of the most expensive liquor you can afford in the north east corner of the room
sharimiki bonsai. see decay arrested, or rendered good- smell of liquor from corner
(diagrams in Levi-Strauss, triangle and watery reflection)
(tea time idea: muddy puddles replaced with milk-tea)
[expanding plant electrophysiology- measurements taken from sharimiki and other bonsai exhibiting struggle and poise. individuation
and group individuation ~"ah I didn't want to park there, I kept driving because all those trees were still and these trees on the next block were all waving for us.. I'll turn around, but see how beautiful they are?" NAMM convention parking- Disney trees, Morgan Evans]
99 drops of the most expensive liquor you can afford in the north east corner of the room
sharimiki bonsai. see decay arrested, or rendered good- smell of liquor from corner
(diagrams in Levi-Strauss, triangle and watery reflection)
(tea time idea: muddy puddles replaced with milk-tea)
[expanding plant electrophysiology- measurements taken from sharimiki and other bonsai exhibiting struggle and poise. individuation
and group individuation ~"ah I didn't want to park there, I kept driving because all those trees were still and these trees on the next block were all waving for us.. I'll turn around, but see how beautiful they are?" NAMM convention parking- Disney trees, Morgan Evans]
national anthems band list
start of a list of music relating to national anthems
Stockhausen Hymnen
Bartók Kossuth
David Rosenboom Musical Intervention 1979
Louis Andriessen Volkslied (though for the band is equally important In Memoriam)
Mathews and Rosler interpolation from The British Grenadiers to When Johnny Comes Marching Home
Stockhausen Hymnen
Bartók Kossuth
David Rosenboom Musical Intervention 1979
Louis Andriessen Volkslied (though for the band is equally important In Memoriam)
Mathews and Rosler interpolation from The British Grenadiers to When Johnny Comes Marching Home
little album invert
Ken Ishii Jelly Tones video sequences in which inverted and direct alternate bubbling, so that it looks about the same if inverted. cover, inner sleeves tiled stills
restaurant paintings
nice place for a painting in possibility of meeting anyone
waiting by bathroom, companionship (hidden angle, telephones)
"public house", character of different eating houses-
shopping a painting for one's restaurant,
asking for or making a painting for one's restaurant.
making a restaurant for your painting to be in
« architecture school »
waiting by bathroom, companionship (hidden angle, telephones)
"public house", character of different eating houses-
shopping a painting for one's restaurant,
asking for or making a painting for one's restaurant.
making a restaurant for your painting to be in
« architecture school »
TO DO
"desktop software", disguised
but to be able to be driven informatically by parametric::(")coded
[mouse movements, to build a linkage say, that carries noise from the hand, modulated to be transparent,
linkage studies, impromptu of plotting data, sonic transforms 'initially']
metronome in analogy to this, built on-view-of system
and doing the beautiful things a metronome does (complex of delays in trigger moments, out to chime circuit)
(easily "learnt"(without comment) and of high datarate)used
statistical, histogram module [as envisioned to study Lamé-Time-Generator sounds]
but to be able to be driven informatically by parametric::(")coded
[mouse movements, to build a linkage say, that carries noise from the hand, modulated to be transparent,
linkage studies, impromptu of plotting data, sonic transforms 'initially']
metronome in analogy to this, built on-view-of system
and doing the beautiful things a metronome does (complex of delays in trigger moments, out to chime circuit)
(easily "learnt"(without comment) and of high datarate)used
statistical, histogram module [as envisioned to study Lamé-Time-Generator sounds]
Columbo's evenings with the lights left out
end of an episode
a contemplation of the conductor and his music both a richness
He's a Married Man
I Did Deep Breathing For An Hour
meditating with the computer
note try to repeat deep breathing for a whole day
conscious control of breathing, dolphins
evolution of hyperoxygenation
end of an episode
a contemplation of the conductor and his music both a richness
He's a Married Man
I Did Deep Breathing For An Hour
meditating with the computer
note try to repeat deep breathing for a whole day
conscious control of breathing, dolphins
evolution of hyperoxygenation
Imaginary Garden Party Photos
yesterday was shown a new face to join the party, but the posed souvenir photo wouldn't show the special attitude of listening: while someone else supposed-more-allied is talking. the photo is more a photo of my own shifted allegiance, or short freedom from allegiance, that I could take it right then, not of who's talking, but who's listening.
[this one gained not at the time, but after introspection]
need for snapshots to be reconciled with dogmatic attitude wanting only the one big souvenir
[this one gained not at the time, but after introspection]
need for snapshots to be reconciled with dogmatic attitude wanting only the one big souvenir
"No, these are not so personal questions at all, we have a science and teaching of it, come"
some-low-(but effective)-percentage-spandex stirrup pants under corduroys. taken off together thoughtlessly. put back on supine, under cover of a blanket. pleasure in quality of difficulties of getting them on. station moment in while observed the New-social pleasures/arts. differences- everything
This allowed to pass with out any pause, but still well enough to write about now
This allowed to pass with out any pause, but still well enough to write about now
Structural Homosexuality
also yesterday, in discussing with Will, we came to the question of how to transform a world with many people into a world with few people. much material for future work (novels, buildings). In digression I asked if he could imagine that right now we were living in a world where everyone was homosexual. We went to that world and I asked how it was different. He described solidarity and openness (feelings also mentioned earlier in an analogy to the sinking Titanic wherein there are rooms where people do something completely different- the internet is sinking! web-rooms)
Will say "another one like you, but better" I note indicates an enemy in the heterosexual world, but a friend in the homosexual. the next step in the derivation is to imagine just that functional replacement by its consequences.
Will say "another one like you, but better" I note indicates an enemy in the heterosexual world, but a friend in the homosexual. the next step in the derivation is to imagine just that functional replacement by its consequences.
imagined yesterday while talking to will about mappings from one part of oneself onto another. earlier in the day he'd asked if mathematical ideas had effected how I am in the world. was saying we acknowledge that the connection between out thoughts and other parts of us could be entirely different than we imagine, yet we seem to persist in acting as if we knew- after band practice where in dropping a goal we fulfilled it. "oh. I see. I have to occupy your mind". unrelatedness of thoughts to results. last week phone description of parametric function passing through fixed points analogous to what happens on a certain analysis (in this case, whether we sound good). varying the parameter changes everything BUT those fixed points (in this case, our speech and feeling about whether we sound good).
(IF) I can tell him what's wrong with him better than he can tell me. more convincingly
hillcats watching.
have graduated from thinking while driving of cats running out in front, from watching where they might be coming from, to imagining still cats watching me going by. that everywhere there are noble cats watching me as I go. in form and moving how express and admirable! in Action, how like an Angel! in apprehension, how like a God" I imagine now to be descriptions not to be piled on all at once, but describing modes. the cat while sitting and contemplating is in god like thought, in moving is only moving, beautifully
dedicated to Capitan Picard, hope he sees it
PURITY OF HEART IS WILLING ONE THING
hillcats watching.
have graduated from thinking while driving of cats running out in front, from watching where they might be coming from, to imagining still cats watching me going by. that everywhere there are noble cats watching me as I go. in form and moving how express and admirable! in Action, how like an Angel! in apprehension, how like a God" I imagine now to be descriptions not to be piled on all at once, but describing modes. the cat while sitting and contemplating is in god like thought, in moving is only moving, beautifully
dedicated to Capitan Picard, hope he sees it
PURITY OF HEART IS WILLING ONE THING
Best Editions
I forgot to mention in the 'best books' (GoogleAnswers) discussion to mention the related question of Best Editions. my dad's search for certain editions of The Merck Index; parallel reading of early and revised editions of Delany's Towers trilogy, diamond man showing me facsimile pages from an early edition of Dana's Mineralogy in Tucson, with better illustrations..
[note file]
strange analogy between editions and crystal forms, elucidated by collector not of rare minerals, but rare forms. who I'd like to meet
Geheimrat, Geheimer Rat
[note file]
strange analogy between editions and crystal forms, elucidated by collector not of rare minerals, but rare forms. who I'd like to meet
Geheimrat, Geheimer Rat
"Feldman"
10 minutes ago was talking about Morton Feldman. now listening realizing that the image I had and was discussing was much purified, and in fact a direction for myself: to be interested in a single succession, by presenting it over and over again but avoiding collateral impressions of repetition or succession-structuring. of course, in that engagement other opportunities will arise.
that's about what I said, but now I see that has not to do with Feldman, but this very pure image based on what I would like to do with such sounds. and now a obvious picture to myself of problems with my current repetition structuring.
[continue]
that's about what I said, but now I see that has not to do with Feldman, but this very pure image based on what I would like to do with such sounds. and now a obvious picture to myself of problems with my current repetition structuring.
[continue]
New TV with underscan switch, very interesting.
Ozu and Columbo episodes, much new things to see at the frame edges.
recommended to mike grost, where I first read: "beautiful blue plastic bucket on the floor; this is the typical 'circular object on the floor or table in an otherwise largely rectilinear composition' familiar in Ozu."
thoughts also of extraction of film-cut-metricity, pulldown
frame buffer built with both things in mind
Ozu and Columbo episodes, much new things to see at the frame edges.
recommended to mike grost, where I first read: "beautiful blue plastic bucket on the floor; this is the typical 'circular object on the floor or table in an otherwise largely rectilinear composition' familiar in Ozu."
thoughts also of extraction of film-cut-metricity, pulldown
frame buffer built with both things in mind
a word for Ring Finger that starts with 'L'
Dr Taverner often makes a subtle sectarian gesture with his left hand, and I consistently visualize it as made with the ring finger of his right.
My ring fingers are distinguished in that when I continue the feeling of an oscilation through my arms to my fingers, they're the ones that feels it clearest and as a continuity.
importance of initials in thought
importance of decimal representation in thought (analogy of decimal digits to initials)
importance of modular residues in thought [lead to "casting out nines" and numerologic operations, expand "casting out elevens", time convert planetary angle residues etc]
importance of primes
meaning of a prime year, that no periodic happening with a period of integer number of years may happen in both this year and the year of christ. cicadas for example
Dr Taverner often makes a subtle sectarian gesture with his left hand, and I consistently visualize it as made with the ring finger of his right.
My ring fingers are distinguished in that when I continue the feeling of an oscilation through my arms to my fingers, they're the ones that feels it clearest and as a continuity.
importance of initials in thought
importance of decimal representation in thought (analogy of decimal digits to initials)
importance of modular residues in thought [lead to "casting out nines" and numerologic operations, expand "casting out elevens", time convert planetary angle residues etc]
importance of primes
meaning of a prime year, that no periodic happening with a period of integer number of years may happen in both this year and the year of christ. cicadas for example
Jump-upon-jump FUNdaments
maturing idea of 'collected works', in formation at least since seeing Patrin's volumes in Buffon Minéraux red cloth. like H.T. Huang in Needham. acceptance of image on shelf.
Freud Standard Edition.
needs of recollecting motivational experiments of quantum mechanics
structuring of nine month reading plan. analogy to prehistory in homeschool reading lifelist reconstruction.
J-E Deseve's drawing Dendritic Native Bismuth in Limonite from Schneeberg, Saxony with by now tarnished silver paint. Trianon's editions of Breuil http://library.ucsc.edu/sites/default/files/fawcus.fm_.tps_.pdf
(maybe relates Éditions de Oiseau-Lyre)
my favorite question at GoogleAnswers: #232918 about how to ask for the 'best book' on a particular subject
Freud Standard Edition.
needs of recollecting motivational experiments of quantum mechanics
structuring of nine month reading plan. analogy to prehistory in homeschool reading lifelist reconstruction.
J-E Deseve's drawing Dendritic Native Bismuth in Limonite from Schneeberg, Saxony with by now tarnished silver paint. Trianon's editions of Breuil http://library.ucsc.edu/sites/default/files/fawcus.fm_.tps_.pdf
(maybe relates Éditions de Oiseau-Lyre)
my favorite question at GoogleAnswers: #232918 about how to ask for the 'best book' on a particular subject
Feather inventor
In analogy
IF birds were unknown to us
to invent feathers would be what I'd like to try now
happiness of the new motions: fluttering +
use in cartoons to show the movements of personal snoring
[impression that in comics (manga more?) new inventions along
these lines may be found
- follow quick drawing of cloud for 2/27 concert program layout
- follow to comics store in metropolis. - more]
stuffing jackets with these+ pillows, blankets
practice good inventing by thinking this way and also carving a few semiplume feathers from a redwood shaving
best to invent New Basics
feathers in Tulku's TSK
implication of bird in feather, holding up feather
IF birds were unknown to us
to invent feathers would be what I'd like to try now
happiness of the new motions: fluttering +
use in cartoons to show the movements of personal snoring
[impression that in comics (manga more?) new inventions along
these lines may be found
- follow quick drawing of cloud for 2/27 concert program layout
- follow to comics store in metropolis. - more]
stuffing jackets with these+ pillows, blankets
practice good inventing by thinking this way and also carving a few semiplume feathers from a redwood shaving
best to invent New Basics
feathers in Tulku's TSK
implication of bird in feather, holding up feather
rainbow training
some years ago pulled of the highway with friend to watch big rainbow, slowly disappeared. in companionship showed aptitude to see traces of rainbow, in barely places, very beautiful. double, triple rainbow, sundogs, later discovered x-rainbows, in more and more broad vanishment. imagined together training to see everywhere. and did some
few days ago, watched Imamura Shohei's Black Rain on a consumer trinitron monitor with subtle rainbow either from a magnetization or a deformation of the mask mesh. and was thinking already of the earlier reststop when at the end is said "if a rainbow appears she'll survive" in looking at a white sky, of course, I saw one
then yesterday I saw what might have been an aura coming out of a baby's eyes, though at first I thought it was some kind of skin translucence that looked like a turquoise eye liner, but it did not stay quite stay on but lagged behind the baby's movements and looks. the third or so time I've seen something like an aura, lifetime record, always this feeling of color turquoise, violet, translucence- before it had been complete outlines
in development a theory of what was seen, that if vision is like audition that I know more of, with ?10 times as many descending pathways as afferent ones, and as I had a teacher suggest, it could be thought then better of as a kind of controlled hallucination, the creation of new possible images to hallucinate with would allow new perceptions to be displayed
[in notes here, brakhage saying that an artist should have been sent to film the moon, someone practicing showing unforseen things, avoiding recreating known things. that the moon films look to be reseeing scifi movie pictures from home]
will take down now Jaegers' The Human Aura, shelved in place since I bought it years before the reststop even for the one color plate aid, a field of yellow to stare at (I suppose the examination of after images (and other detritus) as things would allow an openign by which to see new) at a time when yellow was especially thought of
[back in here- ?edit with numbers when shelving system nomenclature is more established. 'building/room number', sign painter employment at university, and at library- book spines, square patch. 6 floors+ roof access]
few days ago, watched Imamura Shohei's Black Rain on a consumer trinitron monitor with subtle rainbow either from a magnetization or a deformation of the mask mesh. and was thinking already of the earlier reststop when at the end is said "if a rainbow appears she'll survive" in looking at a white sky, of course, I saw one
then yesterday I saw what might have been an aura coming out of a baby's eyes, though at first I thought it was some kind of skin translucence that looked like a turquoise eye liner, but it did not stay quite stay on but lagged behind the baby's movements and looks. the third or so time I've seen something like an aura, lifetime record, always this feeling of color turquoise, violet, translucence- before it had been complete outlines
in development a theory of what was seen, that if vision is like audition that I know more of, with ?10 times as many descending pathways as afferent ones, and as I had a teacher suggest, it could be thought then better of as a kind of controlled hallucination, the creation of new possible images to hallucinate with would allow new perceptions to be displayed
[in notes here, brakhage saying that an artist should have been sent to film the moon, someone practicing showing unforseen things, avoiding recreating known things. that the moon films look to be reseeing scifi movie pictures from home]
will take down now Jaegers' The Human Aura, shelved in place since I bought it years before the reststop even for the one color plate aid, a field of yellow to stare at (I suppose the examination of after images (and other detritus) as things would allow an openign by which to see new) at a time when yellow was especially thought of
[back in here- ?edit with numbers when shelving system nomenclature is more established. 'building/room number', sign painter employment at university, and at library- book spines, square patch. 6 floors+ roof access]
construction of a ceremonial 'tail'
articulated wooden movement swisher. religious aspect.fur covering. discussion of fur qualities,
search under cosmetic brushes
cat toy 2 in uprights ּ[as in streaming away from hand (time), as in video feedback low rotation, some scaling up, centering offsets; "waterfall display" in perusal of analogic referents]
oh and of course, biographical note on development of question mark, among others, from attitude of cat's tail. to be included up front, and even hidden by assumed obviousness
pleasure of dark blankets in low light
list of architects
(Chris Martiniak, I thought!)
xenakis, (gerard pape)
Glas (Prometh, Hannes, Tancred, Berxback 7, Zacken, Stellarius,
Maß, W.H., Anfang, Antischmitz, Angkor)
Bruce Goff (Heinz Emigholz, Sullivan, etc)
Bruce McClure
Palladio
Daniel Sheets Dye, Stiny & Gips, [Starr East Asian Library]
list of architects
(Chris Martiniak, I thought!)
xenakis, (gerard pape)
Glas (Prometh, Hannes, Tancred, Berxback 7, Zacken, Stellarius,
Maß, W.H., Anfang, Antischmitz, Angkor)
Bruce Goff (Heinz Emigholz, Sullivan, etc)
Bruce McClure
Palladio
Daniel Sheets Dye, Stiny & Gips, [Starr East Asian Library]
body redundancy lineage
I talked to a person in my dream who was physically of a type that I know though the particulars I think I invented. how do you describe a type? my impression is that there are many more divisions and orders of regularity than we use in common. freckles! (possible investigation into classical conceptions, complexio, etc. maybe in relation to classical color terms, red/gold etc) Prediction of nipple's appearance, ?a good example because it is kept covered. surprise? surprise at someone's teeth? not sure if teeth enter into my conception of the types, but bones do certainly, one's frame.
woke up with a word from the dream in mind VESPICA, with a visual impression as a product name in bold sans somewhat compressed horizontally, though after typing it, it seems to be lacking a letter. Ezra and I share his occasional impressions that the face a word is set in will make it appear to be spelled incorrectly
[in Star Trek TNG an episode often has parallel narratives, not in contact, but producing an impression of overall formalism and meaning. we speak this way too]
the person, of type HILARY, worked at the store that sold VESPICA, much like home depot, [ah, it seems spelled well now, in this relation to Hilary, if all on one line] much temporary/not-temporary plywood with hasps and padlocks (?as in back rooms of some supermarkets), circular shape to check out area (?after exploratorium), widdershins circulation, my confused wasting of time, waiting in line after line, to discover what I thought was one long line was several, etc etc. out of line and back in. wandering off saw worker Hilary pretending to hang herself with products from the shelves, a new very white nylon rope, still bundled, a metal hook with spring stays, maybe from a block and tackle? up on a stool. talked to her and understood she was just playing, but still why play at that, and she had maybe twisted her neck a bit. I felt her right shoulder which had one of the biggest knots I'd ever felt, I naturally took to kneading it, but just once as she winced a bit I momentarily reflected that I might be being a bit forward. I think I said "wow you're pretty messed up!" to somehow ease the tension and let it be ok, which worked somehow (must have been my tone, because I then momentarily reflected that it's actually a strange and not necessarily nice thing to say) she pointed to her left lower back (then I realized slowly while feeling it that her torso was the wrong way around, that she was facing me with her back). some how I took my leave of her to get back in line carrying my trivial item (yellow plastic like my cheerios day container) and passed an aisle ad for VESPICA on the way.
woke up with a word from the dream in mind VESPICA, with a visual impression as a product name in bold sans somewhat compressed horizontally, though after typing it, it seems to be lacking a letter. Ezra and I share his occasional impressions that the face a word is set in will make it appear to be spelled incorrectly
[in Star Trek TNG an episode often has parallel narratives, not in contact, but producing an impression of overall formalism and meaning. we speak this way too]
the person, of type HILARY, worked at the store that sold VESPICA, much like home depot, [ah, it seems spelled well now, in this relation to Hilary, if all on one line] much temporary/not-temporary plywood with hasps and padlocks (?as in back rooms of some supermarkets), circular shape to check out area (?after exploratorium), widdershins circulation, my confused wasting of time, waiting in line after line, to discover what I thought was one long line was several, etc etc. out of line and back in. wandering off saw worker Hilary pretending to hang herself with products from the shelves, a new very white nylon rope, still bundled, a metal hook with spring stays, maybe from a block and tackle? up on a stool. talked to her and understood she was just playing, but still why play at that, and she had maybe twisted her neck a bit. I felt her right shoulder which had one of the biggest knots I'd ever felt, I naturally took to kneading it, but just once as she winced a bit I momentarily reflected that I might be being a bit forward. I think I said "wow you're pretty messed up!" to somehow ease the tension and let it be ok, which worked somehow (must have been my tone, because I then momentarily reflected that it's actually a strange and not necessarily nice thing to say) she pointed to her left lower back (then I realized slowly while feeling it that her torso was the wrong way around, that she was facing me with her back). some how I took my leave of her to get back in line carrying my trivial item (yellow plastic like my cheerios day container) and passed an aisle ad for VESPICA on the way.
Respighi's "Pini presso una catacomba" accompaniment for replacing my desk in it's home position over the indigos (it's been on the road with me). first and most naturally with Seiji Ozawa's version conducting the BSO on Deutsche Grammophon (2530 890), then listened to the same on Angel 134443 (Muti conducting Philadelphia orchestra) and Everest 3436 (Horvat conducting Zagreb philharmonic orchestra).. both a bit dumb sounding after Ozawa.. I remember two other versions I didn't have to hand, but already with these three I had a lot of fun. it's been a long time since I got into this, but mostly the records are there on the shelf: the few hits I always picked up when I saw a version cheap: Grand Canyon Suite, Holst's Planets, etc... in retrospect I must have been interested in that low range of the orchestra, and the sort of haze of recording it. maybe that's where also variations in feel is easiest for me to detect? opening of Tannhauser at Bayreuth LP, the haze of shepard's flute and a muffled cough from the audience
record cover invert !
am pleased to say Jeff Mills knew about this too! back cover of From The 21st
Makes sense as he definitely has the mind to appreciate the implications
http://i29.servimg.com/u/f29/14/29/58/21/25181710.jpg
The attention that he has asked be paid to the total mental states and positions of other electronic musicians, he himself very much deserves. I have been studying all available statements in hopeful preparation for an interview.
Makes sense as he definitely has the mind to appreciate the implications
http://i29.servimg.com/u/f29/14/29/58/21/25181710.jpg
The attention that he has asked be paid to the total mental states and positions of other electronic musicians, he himself very much deserves. I have been studying all available statements in hopeful preparation for an interview.
blindfold coming of age present
one technique, employed on blocks, of organizing in my room
is to think how I would do it if I were blind, and with the blindfold test and check, test and check,
to think of overall forms for blind use and to build up areas that can be used blind. still starting out!
blinds over certain drawers, a slit black cloth hands can go in easily. like the door top curtains seen in Japanese public houses I imagine. reading Nō plays, often people are walking travelling on the road, and it is said travellers who spend a night under the same tree or who share water will be friends in the next life.
Who all we forget. to renew an old excerise I didn't do enough of back when I thought of it (~8 years ago! after hearing about Disko Bob's private shrine) visualize everyone I know at a spring garden party together, making a souvenir photograph towards the end. friends of the blind, that we don't see them when they're away.
the records on the shelf are attracting my attention, how to address them. thinking of black paper pleated to form a blind surface to represent them, just to remember the little step I have taken. (? pleating machine diversion)
hopeful dreaming of certain projects given over to the domain of blindfolded work. a product developed entirely sightlessly. assembly-language-crystal formation tool, perhaps. other ideas.
what comes entirely from my mind? distancing from building of tools for ourselves. I would believe if I was told "No, these are not so personal questions at all, we have a science and teaching of it, come"
--
I should say a same question has to do with forgetfulness. moment to moment I have forgotten who I know or the Strapping Fieldhands 10"s that are on the shelf. (story of a friend who in temporary short term amnesia lost the fact that he had broken up with his girlfriend, when she visited to see how he was recovering, he was surprised to hear it and "oh why?" :"I don't know")
this particular set of wonders right now of mine, though formed from long in development elements, I will have turned away from sometime too. If you call me now, if you call me later.
is to think how I would do it if I were blind, and with the blindfold test and check, test and check,
to think of overall forms for blind use and to build up areas that can be used blind. still starting out!
blinds over certain drawers, a slit black cloth hands can go in easily. like the door top curtains seen in Japanese public houses I imagine. reading Nō plays, often people are walking travelling on the road, and it is said travellers who spend a night under the same tree or who share water will be friends in the next life.
Who all we forget. to renew an old excerise I didn't do enough of back when I thought of it (~8 years ago! after hearing about Disko Bob's private shrine) visualize everyone I know at a spring garden party together, making a souvenir photograph towards the end. friends of the blind, that we don't see them when they're away.
the records on the shelf are attracting my attention, how to address them. thinking of black paper pleated to form a blind surface to represent them, just to remember the little step I have taken. (? pleating machine diversion)
hopeful dreaming of certain projects given over to the domain of blindfolded work. a product developed entirely sightlessly. assembly-language-crystal formation tool, perhaps. other ideas.
what comes entirely from my mind? distancing from building of tools for ourselves. I would believe if I was told "No, these are not so personal questions at all, we have a science and teaching of it, come"
--
I should say a same question has to do with forgetfulness. moment to moment I have forgotten who I know or the Strapping Fieldhands 10"s that are on the shelf. (story of a friend who in temporary short term amnesia lost the fact that he had broken up with his girlfriend, when she visited to see how he was recovering, he was surprised to hear it and "oh why?" :"I don't know")
this particular set of wonders right now of mine, though formed from long in development elements, I will have turned away from sometime too. If you call me now, if you call me later.
last cables
Few nights ago ended by playing with Ezra a late Buchla 200 system, very advanced and full, but we had only a few patch cords. it had in it a -1606 MArF, where we started, just to see if it went at all. first stop kick drum sequence, to settle down and be influenced by Ezra's presence and the atlantean curves of Don's case design--
courtly high guitar pinch harmonic, the kick in what Ezra reported was 7, but I only knew was in 1-1-1, mysterious patterning of the kick timbre by ramp of length commensurable with one time interval but not another, heard in echos. at home also I use only very few cables, letting them be rare for times, to make everything coming from one area or interaction. What we balled up to sleep to that night used two oscillators, but only one MarF output, to those could have been perhaps multiplexed or 'multiplexed' some way which inheres. I have certainly heard similar dispositions of the orchestra coming from one oscillator, a kick, flagolet melodies, swaying background curtains. and even the tunes and pattern which I that night dictated I have heard coming on their own from energy pushed through fm loops into lower and lower frequencies, for example.
A face back of my interest is the disarmed or removed, eddying story that in a later age, person (me) whose practice moved following lateness.
(? back face- woven coat back, university action and dress. wood paneling Beech lecture room)
late master
courtly refinement in aesthetic suspension
approach with cables in left hand, feel of cables and walk. at home I approach always in lying position to scattered units, here there was more formality. study at juncture may be a way finally to build a polished 'system' for myself, while also, this morning I admired the silkscreened rings around the mounting holes of my 259 panel, having never been mounted anywhere, and thought of the deco plastic bits I have seen used to mount mirrors, etc.
courtly high guitar pinch harmonic, the kick in what Ezra reported was 7, but I only knew was in 1-1-1, mysterious patterning of the kick timbre by ramp of length commensurable with one time interval but not another, heard in echos. at home also I use only very few cables, letting them be rare for times, to make everything coming from one area or interaction. What we balled up to sleep to that night used two oscillators, but only one MarF output, to those could have been perhaps multiplexed or 'multiplexed' some way which inheres. I have certainly heard similar dispositions of the orchestra coming from one oscillator, a kick, flagolet melodies, swaying background curtains. and even the tunes and pattern which I that night dictated I have heard coming on their own from energy pushed through fm loops into lower and lower frequencies, for example.
A face back of my interest is the disarmed or removed, eddying story that in a later age, person (me) whose practice moved following lateness.
(? back face- woven coat back, university action and dress. wood paneling Beech lecture room)
late master
courtly refinement in aesthetic suspension
approach with cables in left hand, feel of cables and walk. at home I approach always in lying position to scattered units, here there was more formality. study at juncture may be a way finally to build a polished 'system' for myself, while also, this morning I admired the silkscreened rings around the mounting holes of my 259 panel, having never been mounted anywhere, and thought of the deco plastic bits I have seen used to mount mirrors, etc.
more use-attention notes
round drum stick tips regularize the sound, reducing variation by stick angle.
sort Cosmetic's brushes bring feeling out to looking on.
buying of glitter paper yesterday, specular reflections reject first store's product.
method of forming ensemble statistics of glitter orientations.
no store of the perspicacity
who would know where to buy the different disposition qualities of glitter paper?
who collects and practices answering such questions?
sort Cosmetic's brushes bring feeling out to looking on.
buying of glitter paper yesterday, specular reflections reject first store's product.
method of forming ensemble statistics of glitter orientations.
no store of the perspicacity
who would know where to buy the different disposition qualities of glitter paper?
who collects and practices answering such questions?
A Second Favorite
Isn't it nice to have a second favorite thing that perhaps can cast a light on your favorite?
Yesterday, after preamble (preamble is also very nice to have), I did not go past the exploratorium's 1DOF-inverted-pendulum (IP). many things can happen there. and when it was time for breaks there was a observation area below for watching other arms at it. The second favorite had it- a 2-plane-symmetric bench bench on wheels actuated by a very reducing gear train leading from a little hand crank spindle set in the top of the bench breaking the usual bench symmetry but not the extra one, leading the way like a train's stack towards the balcony over which the balancing arms show.
(first guess, second guess; preamble, favorite, second favorite. at first guess the reduction ratio was something like 1000:1)
While swinging and holding inversion I tried loosening body things, breathing, feeling my knees, as I have heard christine say about singing. Also introduced eyes closed, and alternate visual fixations. start A little study of the free sliding movements of the hinge point. Identification of persons by their pattern of corrections. (knock-box or knock-lock, and a safe breaker in that world, an impersonator at low-consciousness, maybe closer to a forger)
a favorite and a place from which to observe the favorite also nice
most direct observation of the bench's progress was found in the angle of my knees as I sat astraddle as over a 7½" gauge steam train. body concerns! Just before we had been in consultation with people looking at us as music-people which surprised me, that there even was something like that, a music person. now Laura was off in the sound-exhibits, but I with the first and second places, on the stair down from the balcony to the bench thought ? my category body person
Yesterday, after preamble (preamble is also very nice to have), I did not go past the exploratorium's 1DOF-inverted-pendulum (IP). many things can happen there. and when it was time for breaks there was a observation area below for watching other arms at it. The second favorite had it- a 2-plane-symmetric bench bench on wheels actuated by a very reducing gear train leading from a little hand crank spindle set in the top of the bench breaking the usual bench symmetry but not the extra one, leading the way like a train's stack towards the balcony over which the balancing arms show.
(first guess, second guess; preamble, favorite, second favorite. at first guess the reduction ratio was something like 1000:1)
While swinging and holding inversion I tried loosening body things, breathing, feeling my knees, as I have heard christine say about singing. Also introduced eyes closed, and alternate visual fixations. start A little study of the free sliding movements of the hinge point. Identification of persons by their pattern of corrections. (knock-box or knock-lock, and a safe breaker in that world, an impersonator at low-consciousness, maybe closer to a forger)
a favorite and a place from which to observe the favorite also nice
most direct observation of the bench's progress was found in the angle of my knees as I sat astraddle as over a 7½" gauge steam train. body concerns! Just before we had been in consultation with people looking at us as music-people which surprised me, that there even was something like that, a music person. now Laura was off in the sound-exhibits, but I with the first and second places, on the stair down from the balcony to the bench thought ? my category body person
,first mention of
> TO DO Audiobooks for Club post-it
Fortunately, Ezra has invited me to join in formation of an audiobooks-trade-association at a time. AND just then also relayed an invitation to performance of graphic scores exhibit.
file names of (10n-1)/9 sort by weight, to hand sort or sieve through,
aversion to CD subcoded track markers..
(but 10 years fascination with subcoded indices, and subcode generally, from housesitting a jazz-cd-player)
aversion to seeing track times sliding by or listed close to listening- but also sorting files by length.
drinking water mostly direct from the tap, not wanting to 'measure' it first, but measure it with thirst, or even better to not measure the thirst. the happier the lower I have to crouch to the dog fountain by the trail THANKS!
Bought my first calendar, but not before joss paper to mount with it and already thinking movable post-it for calendar
and how else it shall be. flap calendar's image should be permanent, typographic, flat averred face, withstanding . rare to find, but I have seen that in one lucky restaurant. cf the business of luck. luck printery. and in a neighboring file: my union mark impressions, and maybe the staple that saddle stitches a one sheet handout at the concert.
How will all the notes find themselves in a good disposition (fraternal, exaltation)?
the metronome's place here
Fruit Chef
Well- he could- eat a little of each one and put them in a sequence
as I have arranged the towels on the bar
as well as knowledge as to archeologiaarborea.org/pubblicazioni (for example)
Dodecatheon clevelandii (var insulare!) she'd know all the little places
as I have arranged the towels on the bar
as well as knowledge as to archeologiaarborea.org/pubblicazioni (for example)
Dodecatheon clevelandii (var insulare!) she'd know all the little places
Last weekend I stopped at a public park to read and watch soccer. and as I usually do I watched by finding particular players to follow, people who move in a way, either I know about, as my own, or in a way I wanted to learn about. the first one that I started to follow, green number 7 in a multi-line font (with a hooked 7, which I haven't found yet), moved in someways like me. and after a while I was watching his team mate #10 also, who had something similar. (http://mikegrost.com/snumber.htm the other team had a #100 in a sleeker multi-line, red on yellow with black pinstripe) and I saw #7 hurt his knee, and like I did when I first hurt my knee after a while of hopping along and easing into it, he started playing again. I was watching very closely now. he seemed ok and I thought, 'oh, he's more resilient that I was, maybe this happens all the time to them.' but then in a little skirmish the same knee fell apart at a stupid time when it shouldn't have, just in a wrong light touch. and he went to the side and took off his shin covers. I remembered the way I had watched the game proceeding after I had stepped out of it. I hadn't been able to really watch well but now I could
While listening today a question came 'what do you expect to learn from the best musician in the world?' or 'what do you expect to gain?'
that might help with background: Was uncovering the other day my interior image of music made right at the edge of time, pressing into the face of time as if a pane of glass, just for the duration of playing, and then backing off afterwards. idea that listening back to this later we again press up against the face of time and meet the way before. (my recollection of the noise pancakes show with 6502 ASM-crystal and snare drum)
2nd- Idea of no-music-analyst-for. there's no analyst for engine sounds, none for dripping in certain exotic climes, etc. that we might at any time be confronted by phenomena that if we attended to would reveal as much as (say, Tenney Spectral Canon for stupid example)
and third the eklavya idea
that might help with background: Was uncovering the other day my interior image of music made right at the edge of time, pressing into the face of time as if a pane of glass, just for the duration of playing, and then backing off afterwards. idea that listening back to this later we again press up against the face of time and meet the way before. (my recollection of the noise pancakes show with 6502 ASM-crystal and snare drum)
2nd- Idea of no-music-analyst-for. there's no analyst for engine sounds, none for dripping in certain exotic climes, etc. that we might at any time be confronted by phenomena that if we attended to would reveal as much as (say, Tenney Spectral Canon for stupid example)
and third the eklavya idea
IN THE FUTURE EVERYONE HAS HOUSES, AND IN EVERY HOUSE, WHICH IS LIKE YOURS IN A WAY, THERE ARE ALL DIFFERENT KINDS OF ROOMS. LIKE YOU HAVE- BEDROOM, BATHROOM, LIVING ROOM, KITCHEN.. WELL ACTUALLY WHAT THEY CALL A BATHROOM AND WHAT YOU CALL A BATHROOM WELL-- IT'S JUST REALLY DIFFERENT-- THERE ARE ALL SORTS OF CHAMBERS AND STUFF, ABLE TO SIMULATE ANY WEATHER-ENVIRONMENTAL-CONDITION, FORCES ON YOUR BODY, AND SO ON. AND - THEY HAVE A SPECIAL MUSIC ROOM. EVERYONE HAS THIS. EVERY HOUSE HAS A SPECIAL MUSIC ROOM AND THIS ROOM CAN MAKE ANY KIND OF SOUND
SO YOU GO TO THE FUTURE AND THEY SAY- OH! WELL WE'VE BEEN EXPECTING YOU! AND THEY SAY- OK, WE KNOW YOU'VE GOT ONE HOUR HERE IN THE FUTURE, AND YOU DON'T HAVE TO WORRY ABOUT MESSING UP YOUR BIRTH-REALITY OR ANYTHING LIKE THAT, WE'VE TAKEN CARE OF ALL THAT- WE'VE FIGURED OUT THAT WE HAVE TO GIVE YOU THE GIFT OF JUST ONE HOUR IN THE MUSIC ROOM, AND AFTER THAT YOU'LL BE BACK IN YOUR OWN TIME. SO YOU GO IN THERE AND WHAT DO YOU THINK?
and at the bottom of the sheet there's a drawing of something like a piano pedal in yellow paint pen right across the bottom, with the words ENERGY TRANSFER written inside nicely with red traffik crayon and towards the bulb of the pedal the letters get somewhat jumbled or more active or excited, and written in a thinner freer hand.
Having just part of an idea how it should be, We start out, having read in Tintin the occasional panels of newspaper clippings where we can get lost into the column's fill. placeholder texts
[now notice that the last letters aren't 'jumbled or excited' though that's accurate enough to someone else's description, they tilt themselves searching for an optimum contact inside the bowl. also being only partly physical, they do not fall!]
MIRROR FINISH VENETIAN BLINDS
and a spray for cleaning them
- mounts to allow stacking in series (?egypt)
- mounts to allow stacking in series (?egypt)
code geodes (set wide, Bold)
Katie Hannon showed me a place in the sidewalk that looks like Africa on her walk home from elementary school which I still try to visit. Have seen many public notices of things nobody made looking like things we see on maps (122 + 80 comments on Frank Jacobs' Strange Maps, for example). [compare to the initially-suppressed obvious question to Ezra Buchla after hearing his very direct and literal sonification of cubic map iterations: 'how come it sounds like a modem?']
Some of the nicest things I've learned since drawing cracks and fractures, leaf venations, bubbles and maps as a kid were from Cyril Stanley Smith's Search for Structure, where he explains very nicely how each line likes to meet the others at certain fixed angles which depend on the medium. In the days immediately following that lesson I saw much commercial signage with cracking letters and learned to decode the stress-relieving patterns in my own way. For those weeks our letters became mostly patterns of tense places and places where the tension could one day escape.
This morning I asked my dad "What's a process that effects islands preferentially?" and he said "what do you mean, like erosion?" so I thought he knew what I meant, as well as I did anyways, because that was exactly the sort of picture I had in mind when I asked: running bandpass convolutions on world maps data, leaving only islands and rivers, for example, and trying to imagine what physical process could do the same things, dreaming up imaginary sea water chemical reactions
"video clip art generator" in development diagrammatically
so far seen edition of only global map pre-projections, included historical atlas data as Centennia and included also plate tectonic timescales, with many means of available projections. (also scanning, fly overs etc.) (Out of oblivion the gold has been smelted: there it gleams in the lights of the airport )
and sponge, or furniture leveling pad addition- WORLD FLAGS, to be used at least once: in preparation evening for all-national anthems concert
Some of the nicest things I've learned since drawing cracks and fractures, leaf venations, bubbles and maps as a kid were from Cyril Stanley Smith's Search for Structure, where he explains very nicely how each line likes to meet the others at certain fixed angles which depend on the medium. In the days immediately following that lesson I saw much commercial signage with cracking letters and learned to decode the stress-relieving patterns in my own way. For those weeks our letters became mostly patterns of tense places and places where the tension could one day escape.
This morning I asked my dad "What's a process that effects islands preferentially?" and he said "what do you mean, like erosion?" so I thought he knew what I meant, as well as I did anyways, because that was exactly the sort of picture I had in mind when I asked: running bandpass convolutions on world maps data, leaving only islands and rivers, for example, and trying to imagine what physical process could do the same things, dreaming up imaginary sea water chemical reactions
"video clip art generator" in development diagrammatically
so far seen edition of only global map pre-projections, included historical atlas data as Centennia and included also plate tectonic timescales, with many means of available projections. (also scanning, fly overs etc.) (Out of oblivion the gold has been smelted: there it gleams in the lights of the airport )
and sponge, or furniture leveling pad addition- WORLD FLAGS, to be used at least once: in preparation evening for all-national anthems concert
Haven't Written That I Eat Trash
Most who know me: well enough? met me young enough?
Most who've been in my company long enough (?)(in public, or at nights, or for long stretches?) know already that I eat trash.
[I'd like to carry forward from this moment the form of limbs of the distribution (leopard spots sparkles! coral!) of the clusters that knew. for future study maybe, or just to look at in the specimen case.]
It's hidden by me, ?disgust politely acquiesced to. perhaps.
but why should I hide? and why Never mentioned?
(I matching with Never, when hiding a tonality makes the losing of one)
THERE ARE MANY MANY things to say here. which way to go first - may erase the other possibilities, as sometimes when composing music.
no direction for now is enough
just recently reading Samuel Delany interviews and literary criticism, I could see some shape of his coming to write a bit closer his own once-hidden things. and recalled wondering about his interpolation of a disgust-at-trash-eating into all The Mad Man's tasting, wondering if it was 'merely' a device, or somehow a revelation of personal world-limiting utterity ('absolution'), (and barely/nearly/lightly thinking 'what could you know about that then?' echoed in his glance at LeGuin's nail-biting in To Read The Dispossessed's "those of us...").
"she always understood all the things we told her about..." (Screeching Weasel's Kathy Isn't Right)
"so serious about the stuff we like!" (Minor Threat, Salad Days, but perhaps he actually says "stuff we lack"! so I'll be the first to say it: "so serious about the stuff we like!" Has been a favorite line of mine since I heard it, and conjures an attractive cognition. for example a mom approaching a fusilli display at trader joe's with her 8 or so year old kid, asking "him should we try this kind?". silence of course, but also soft faced (not sad) down staring. The meaning of GRIM. mom says "ok, we'll just get bowties ok? we'll get the bowties you like")
Most who've been in my company long enough (?)(in public, or at nights, or for long stretches?) know already that I eat trash.
[I'd like to carry forward from this moment the form of limbs of the distribution (leopard spots sparkles! coral!) of the clusters that knew. for future study maybe, or just to look at in the specimen case.]
It's hidden by me, ?disgust politely acquiesced to. perhaps.
but why should I hide? and why Never mentioned?
(I matching with Never, when hiding a tonality makes the losing of one)
THERE ARE MANY MANY things to say here. which way to go first - may erase the other possibilities, as sometimes when composing music.
no direction for now is enough
just recently reading Samuel Delany interviews and literary criticism, I could see some shape of his coming to write a bit closer his own once-hidden things. and recalled wondering about his interpolation of a disgust-at-trash-eating into all The Mad Man's tasting, wondering if it was 'merely' a device, or somehow a revelation of personal world-limiting utterity ('absolution'), (and barely/nearly/lightly thinking 'what could you know about that then?' echoed in his glance at LeGuin's nail-biting in To Read The Dispossessed's "those of us...").
"she always understood all the things we told her about..." (Screeching Weasel's Kathy Isn't Right)
"so serious about the stuff we like!" (Minor Threat, Salad Days, but perhaps he actually says "stuff we lack"! so I'll be the first to say it: "so serious about the stuff we like!" Has been a favorite line of mine since I heard it, and conjures an attractive cognition. for example a mom approaching a fusilli display at trader joe's with her 8 or so year old kid, asking "him should we try this kind?". silence of course, but also soft faced (not sad) down staring. The meaning of GRIM. mom says "ok, we'll just get bowties ok? we'll get the bowties you like")
Font times (recurrent/surfacing)
Using Optima a lot these days, in mind because (as far as I know): my 1968 best of SIMULATION magazine compilation is set in it, so is A˙BACUS #80 (Feb, 1984)- Rosemary Waldrop's Cornered Stones Split Infinities. (sometimes have to push it away from drifting towards Papyrus, or some 'native american' idea)
The A˙BACUS flag is set in Face Photosetting's Stack, which was surely available as Letraset dry transfers by the time they started. Michel Waxman's Oxford, another Face Photosetting font that made it to Letraset, I think at the same time, I know from Nyman's Experimental Music: but probably wasn't rubbed-on the dust-jacket films.
[Aliki Liacouras Brandenberg's How A Book Is Made written in that phototypesetting era !] [rubylith PCBs/ ships' curves]
The A˙BACUS flag is set in Face Photosetting's Stack, which was surely available as Letraset dry transfers by the time they started. Michel Waxman's Oxford, another Face Photosetting font that made it to Letraset, I think at the same time, I know from Nyman's Experimental Music: but probably wasn't rubbed-on the dust-jacket films.
[Aliki Liacouras Brandenberg's How A Book Is Made written in that phototypesetting era !] [rubylith PCBs/ ships' curves]
...
FORMATION OF THIS TIME FRAME'S RESOLUTION
considering as
A TRANSFORMED VECTOR IN AN IMPLIED SPACE YET TO BE PLUMBED
of a VECTOR VIEWING A SUCCESS THUSFAR
A TRANSFORMED VECTOR IN AN IMPLIED SPACE YET TO BE PLUMBED
of a VECTOR VIEWING A SUCCESS THUSFAR
T I M E F R A M E ' S B A N D
B R E E Z Y D A Y ' S B A N D
B R E E Z Y D A Y ' S B A N D
lovely day!
angle of light showing dusts moving slowly, remembering angle of light that shows deformations in paper around printed letters when reading Judge Dee- another well lit day, two afternoons but it is actually morning when I get up
can a metronome know things like that?
to my friend Eric King with whom I've often discussed the 'foggy clock', and I think often disappointed by not doing anything about it, (and to many others:) I see now- when a child is happy watching a grown up do something for themselves, privately, which the child can also approximate, bouncing a ball, hammering, stirring some batter, any number of things. the grown-up may look up and notice their audience, and call the child over and say 'here you wanna try?', and either the kid says no smiling a big smile, or allows the adult to sort of put the spoon in her hand, and the child just perfunctorily wobbles her hand a little , still not much distracted from the beatific contemplation, still smiling up at the adult, who still doesn't know whats happened
my best new years' resolution was to not burn my mouth with hot drinks and food. now I'm searching in my mind for, for example, failures on a similar time-scale, or progressively related regions. reorganization of failures on similarly sized category, and perhaps a way to see them all together
(new years' pride that the child story come not from local observation)
so it's not complete new year, for me yet. perhaps cameras?
wonder when it'll come in relation to the Tucson mineral show, with what light it will be lit
[Collection Gilbert GAUTHIER labels]
angle of light showing dusts moving slowly, remembering angle of light that shows deformations in paper around printed letters when reading Judge Dee- another well lit day, two afternoons but it is actually morning when I get up
can a metronome know things like that?
to my friend Eric King with whom I've often discussed the 'foggy clock', and I think often disappointed by not doing anything about it, (and to many others:) I see now- when a child is happy watching a grown up do something for themselves, privately, which the child can also approximate, bouncing a ball, hammering, stirring some batter, any number of things. the grown-up may look up and notice their audience, and call the child over and say 'here you wanna try?', and either the kid says no smiling a big smile, or allows the adult to sort of put the spoon in her hand, and the child just perfunctorily wobbles her hand a little , still not much distracted from the beatific contemplation, still smiling up at the adult, who still doesn't know whats happened
my best new years' resolution was to not burn my mouth with hot drinks and food. now I'm searching in my mind for, for example, failures on a similar time-scale, or progressively related regions. reorganization of failures on similarly sized category, and perhaps a way to see them all together
(new years' pride that the child story come not from local observation)
so it's not complete new year, for me yet. perhaps cameras?
wonder when it'll come in relation to the Tucson mineral show, with what light it will be lit
[Collection Gilbert GAUTHIER labels]
who I'd like to meet:
converting a converted garage back to a garage
or just see the place
an old imagining of keeping the place clean, sweeping cement: I used to tell a story about the editor of an atlas of vacant spaces (in hopeful anticipation of time-travel) renting a storage unit and keeping it empty and clean.
imagined pleasure of parking the car on hardwood floor, getting out. packing and unpacking
I've unrolled a bit of red rosin paper in the cargo area to bring in the house for layout- (gaffer's tape !blue) returned and pinned. travel tomorrow!
with big green plastics: tubtrugs.com, oil change drain pan, pilates balance ball
converting a converted garage back to a garage
or just see the place
an old imagining of keeping the place clean, sweeping cement: I used to tell a story about the editor of an atlas of vacant spaces (in hopeful anticipation of time-travel) renting a storage unit and keeping it empty and clean.
imagined pleasure of parking the car on hardwood floor, getting out. packing and unpacking
I've unrolled a bit of red rosin paper in the cargo area to bring in the house for layout- (gaffer's tape !blue) returned and pinned. travel tomorrow!
with big green plastics: tubtrugs.com, oil change drain pan, pilates balance ball
sauce utensil
In addition to eating with only the romantic butter knife, my plate should be a nine-compartment burleigh blue calico. colloidal food!
making a setlist for Tiger Trap, thought of Hamsun's nobel prize acceptance speech about youth.
a CD with encores: 10 tracks, then 2 last songs, 28 times, alternating. PRESS next track many times, parity determines order.
method of asking entropy: press two keys fast, count clusters, feedback
o00o0o0o0o0o0o0o0o0o0oo0o00oo00oo00o
+__+_+_++__++__++_+__++_+_++_+__++_+_+_+_
(compare von neumann's method for whitening noise)
method for spinning a line in an image editor: rotate with large angle.
wiping down the number key row
7876542342325654345mod360
You & Me
My Broken Heart
Super Crush
Puzzle Pieces
You're Sleeping
For Sure
Supreme Nothing
Prettiest Boy
Chester
Words & Smiles
Tore a Hole
Eight Wheels
"I know not what I should do - I know not what is the right thing to do, but I raise my glass to the youth of Sweden, to young people everywhere, to all that is young in life." December 10th 1920
a CD with encores: 10 tracks, then 2 last songs, 28 times, alternating. PRESS next track many times, parity determines order.
method of asking entropy: press two keys fast, count clusters, feedback
o00o0o0o0o0o0o0o0o0o0oo0o00oo00oo00o
+__+_+_++__++__++_+__++_+_++_+__++_+_+_+_
(compare von neumann's method for whitening noise)
method for spinning a line in an image editor: rotate with large angle.
wiping down the number key row
7876542342325654345mod360
You & Me
My Broken Heart
Super Crush
Puzzle Pieces
You're Sleeping
For Sure
Supreme Nothing
Prettiest Boy
Chester
Words & Smiles
Tore a Hole
Eight Wheels
"I know not what I should do - I know not what is the right thing to do, but I raise my glass to the youth of Sweden, to young people everywhere, to all that is young in life." December 10th 1920
heard to much about
what's so wrong about the lack of movements in laptop music performance?
what's so wrong about living in the past? answers are for dummies --going to a party
what's so wrong about living in the past? answers are for dummies --going to a party
detour orange excitement (vague soots)
in setting up the 1960's era chem lab I'm learning a bit more about soxhlet extractors among other glassware, and have found Wikipedia's illustration in error: the water inlet should be at the top of the condenser due to the 'countercurrent principle', at work in flow through gills, for example. will contact, make username etc, but slowly.
wondering on that other pedia
'as usual', 'nicht zu schnell', other markings
bruckner and mahler too quietly
in setting up the 1960's era chem lab I'm learning a bit more about soxhlet extractors among other glassware, and have found Wikipedia's illustration in error: the water inlet should be at the top of the condenser due to the 'countercurrent principle', at work in flow through gills, for example. will contact, make username etc, but slowly.
wondering on that other pedia
'as usual', 'nicht zu schnell', other markings
bruckner and mahler too quietly
Thirsty years old
figured the CD I heard a few minutes of that stuck in mind back in 2000 was probably Yasunao Tone's Solo for Wounded CD. His music now sounds the way I remember his CD of back then sounding, but the record itself sounds a bit dry now. So, I was thinking, I got his message relative to the age. interesting when looking for the new way. some years ago realization/imagination of Don Buchla's drive for the next next next way, having made it on a breakthrough once. at least that's the Eklavya-vision
figured the CD I heard a few minutes of that stuck in mind back in 2000 was probably Yasunao Tone's Solo for Wounded CD. His music now sounds the way I remember his CD of back then sounding, but the record itself sounds a bit dry now. So, I was thinking, I got his message relative to the age. interesting when looking for the new way. some years ago realization/imagination of Don Buchla's drive for the next next next way, having made it on a breakthrough once. at least that's the Eklavya-vision
record cover invert
Freddy Fresh's Advanced Waveform Synthetics! listening to DWFS's Drone In Effect in the sfo cellphone lot. fonts on 90's cassette price labels yet to be reconstructed, very beautiful
listening right now to♩≅126 , all sixteenths (relation to syllable length, etc)10 groups of 17+(1 silent) abstract clicky pulses alternating with half-time fade away fallow and back
(12, 10, 9+1/2+(1/2)? certainly calm, not counted, actually MM dropped for fixed unrelated interval, twice)
Pulses are synthesized in wandering phase lock, shifted at every pause.
just at the pauses and fade, Columbo episode Publish Or Perish punched in.
(12, 10, 9+1/2+(1/2)? certainly calm, not counted, actually MM dropped for fixed unrelated interval, twice)
Pulses are synthesized in wandering phase lock, shifted at every pause.
just at the pauses and fade, Columbo episode Publish Or Perish punched in.
shape tech 2
'/Y_/' \
.P' /"-----''''''''''''+
| / |
.' _/ |
_,..<'::/ -+.
+-'''. / . . . .... . . `|,'
\._ ' ,/
'----...............------"
has a seam, it's a cast resin that's been sanded and worked a bit, 2 set screws.
it's indicator is a curved cutout that gives a surprising kind of precision in the suddenness of wiping the graduations. (like how distortion/folder circuits bring out hidden interior aspects of the sounds?)
Research into properties of variations on the curve of the cutout. relationship to lensed skirts I've seen?
anyone know about this knob? who made them, material, process..
barely heard Sound of kitty drinking in the bathroom while central heater crackles down from shut-off between us, (went to look to make sure!),
Sound of laminar boiling- frozen dumplings after being pan fried have water added and boiled off- like sound of 259 bubbling, pattern formation in seashells, big ones wiping away little ones momentarily.
Franz LM-3 metronome (always makes me think of Thomas Bonvalet: made of an historic plastic, with a hygienic impermeable surface, can be stopped by tilting over the last tick) sits nicely in tektronix letter-series plug-in bin. Two-level pulse I/O on red banana jack to Dimco-Gray Gralab 300 and oscillator controller, kicks in surreally with multirate bass. playing 'snare-steadies' listening to piano music on microgroove LP w/ EQ way rolled off: some drummers are like tape splicers!
records of the moment: DJ Ordeal -seagull, Crawling With Tarts -operas, Cecil Taylor -indent, HavoheJ !, high blends on Muhal Abrams' JaDoThu at half speed.. Columbia microgrooves: mm728 mm749 x177; DISC 770
Sound of laminar boiling- frozen dumplings after being pan fried have water added and boiled off- like sound of 259 bubbling, pattern formation in seashells, big ones wiping away little ones momentarily.
Franz LM-3 metronome (always makes me think of Thomas Bonvalet: made of an historic plastic, with a hygienic impermeable surface, can be stopped by tilting over the last tick) sits nicely in tektronix letter-series plug-in bin. Two-level pulse I/O on red banana jack to Dimco-Gray Gralab 300 and oscillator controller, kicks in surreally with multirate bass. playing 'snare-steadies' listening to piano music on microgroove LP w/ EQ way rolled off: some drummers are like tape splicers!
records of the moment: DJ Ordeal -seagull, Crawling With Tarts -operas, Cecil Taylor -indent, HavoheJ !, high blends on Muhal Abrams' JaDoThu at half speed.. Columbia microgrooves: mm728 mm749 x177; DISC 770
lycanthropic human
Yesterday unfiled the left-over postcards Will Sherwin made and self-addressed for me, to get me to write him while he was up in Tasajara for his last long stay. Some had a few lines I don't remember writing, one that struck me: A PERSON THINKS THEY ARE GOOD. MAYBE THEY WILL HAVE A DREAM WHERE THEIR ACTIONS, PERFORMED ON THE CLOSE SIDE OF THE LINE DIVIDING GOOD AND BAD, ARE MOCKINGLY ANALOGIZED BACK TO THEM BY ACTIONS THEY WOULD PLACE AS EVIL. (5/23/04) on most of the postcards Will had cut out things from magazines and pasted them on the picture side, or done drawings etc. This one has a pale deep sea creature with a big gaping toothy mouth, an unhinged jaw. I wonder if he did this on purpose in relation to his dreams of evil snakes. and once an arctic snake, white fur aquatic killer. and did I choose to write that particular thing on that particular card? I don't think I had so fine control in those days
Then last night, visited Lyal's housewarming party. and practically first thing as I got there he asks me about banshee kitty and if I think leaving her locked in her room for the party was a good idea, instead of having her freaked out by all the new people. I said yeah
later I went in to visit her and found a mess of stoners in a cloud of smoke. banshee sitting in a basket in the closet. played with her a bit and tried to connect with her deep calm (all speeds).. concerned about her situation, not wanting her consciousness altered against her will and ability to refuse or control. I asked celebrants and finally Lyal. everyone had a different take on it, but all unwilling or unable to enter into the depth of true possibility
I HAD TO LEAVE
LYAL MAYBE YOU WILL HAVE A DREAM
I love you
I muttered 'lycanthropic human' on the way to the car, and thought yes a monster is better to be or to emulate. lights out
Then last night, visited Lyal's housewarming party. and practically first thing as I got there he asks me about banshee kitty and if I think leaving her locked in her room for the party was a good idea, instead of having her freaked out by all the new people. I said yeah
later I went in to visit her and found a mess of stoners in a cloud of smoke. banshee sitting in a basket in the closet. played with her a bit and tried to connect with her deep calm (all speeds).. concerned about her situation, not wanting her consciousness altered against her will and ability to refuse or control. I asked celebrants and finally Lyal. everyone had a different take on it, but all unwilling or unable to enter into the depth of true possibility
I HAD TO LEAVE
LYAL MAYBE YOU WILL HAVE A DREAM
I love you
I muttered 'lycanthropic human' on the way to the car, and thought yes a monster is better to be or to emulate. lights out
Good for One Shower
In the Solvent of the Moment or could say Solute of the Moment
have heard the ancient greeks conceived events in time as approaching from behind and passing us
went out in the middle of my shower last night to pry up a big pumice from the front yard, brought it in and suddenly solved the little thing I've been wondering how not to scratch the bathtub. I had imagined maybe a layer of dirt, but a best first solution: two folded up towels under the rock.
good time listening to real Rocks music
air of gloom's meditation, eskimos&egypt, aura noir (released damnation), apostacy's oneiric storm, beyond possesion, black tambourine I Was Wrong, live Culturecide, FYP toss my cookies.. crimpshrine, dag nasty, void, hirax, naked agression..
same again this morning- Screeching Weasel doing Dingbat and then talking about You're telling me what's good for me!? How do you know what's good? I can't believe you're telling be what to believe! get away from me!! MyRight
so many ways to focus it! an outsider's distaste at Dingbat's openness
Spear of Longinus N.W.O. what is best in life?...
I Wanna Be Naked: I don't need no hang ups! framed in slowness. heaviness and thoughts
I'ML! - 1
I'm late! but I must say,
anyone who hasn't tried filling a small emptied toothpaste tube from a big full one should try it.
My small one is a bit plasticy (travel size aquafresh) and my big one metalllic (tom's), I think, extending the inherent difference in feeling between empty and full tubes, but maybe that because they're what I trained on. it's a bit like blowing gum bubbles in a way
anyone who hasn't tried filling a small emptied toothpaste tube from a big full one should try it.
My small one is a bit plasticy (travel size aquafresh) and my big one metalllic (tom's), I think, extending the inherent difference in feeling between empty and full tubes, but maybe that because they're what I trained on. it's a bit like blowing gum bubbles in a way
shape technology
antennas
knots
ah, I had so many more examples
lab glassware
shoes I suppose, knives forks
french curves continuous radius of curvature -roadway etc
forgetful day! love christine my memory and mind has done like a flower because I've known you
FORWARD PAPER rock rose cotton
knots
ah, I had so many more examples
lab glassware
shoes I suppose, knives forks
french curves continuous radius of curvature -roadway etc
forgetful day! love christine my memory and mind has done like a flower because I've known you
FORWARD PAPER rock rose cotton
color copier bought at university auction $220. multiplication,reprinting of lost pet posters, quickly down from the telephone pole, copied and then back up. chart of neighborhood with number of copies to be made by location, breakdowns by mailboxes, cars, poles. chart of cat escape routes over back fences, open crawlspace. small reprint logo red-fuchsia rubber stamp on back. black and white copies with color washes.
(sometimes stolen) paper and toner paid for by selling recyclables. awareness of scrap market. sorting sorting sorting. dense handout about sorting, many quantifications, facts and figures (-predictions drawn red tangent line) dense black overprint
off time considerations of relations between these activities, other possibles
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